Title: Fables #2: Animal Farm
Author: Bill Willingham
Illustrators: Mark Buckingham, Steve Leialoha
Year of Publication: 2002-2003
Length: 128 pages
Genre: graphic novel: magical realism, fairy-tale/folklore
New or Re-Read?: Re-Read
Rating: 3.5 stars
I know most people prefer this volume to the first, but I diverge from popular opinion here. The concept here is quite good, but I find the execution rushed and a little lacking.
As punishment for faking her own death — and ostensibly so the sisters can spend some quality time reconnecting — Rose Red has to go with Snow White for her annual visit up to the Farm, a protected area in upstate New York where all those Fables live who cannot pass for human. This includes the menagerie of talking animals as well as sentient bits of clothing and crockery, Lilliputians, mythical creatures, and other assorted beings. Some few “passing” humans live there, as well — the Old Woman has chosen that location rather than give up living in her Shoe, for example — but by and large, the population is bestial. And their forced segregation is causing problems. Snow White arrives unexpectedly in the middle of a highly suspect meeting, where the animals are purportedly discussing the prospect of returning to their Homelands — and she discovers that Weyland Smith, who had been in charge of the Farm, has mysteriously decided to “retire” without telling anyone.
Things take a swift and sudden turn for the worse when Colin, one of the Three Little Pigs, turns up murdered. Unlike in the first volume, Willingham doesn’t play coy with the mystery here — the reader learns quickly that Goldilocks and the Three Bears are behind it. Goldi has turned into quite the reactionary, guiding the revolt of the Farm community not out of any real idealism but simply because she seems to have gotten a taste for violence. (There’s also a pretty disturbing revelation regarding the nature of her relationship with Baby Bear). She musters the troops with a bloodthirsty enthusiasm that would do any third-world dissident proud, and Snow finds herself on the run, pursued by half the predators in legend.
My favourite character in this volume is definitely Reynard the fox, suave trickster but loyal friend to Snow, who plays a vital role in tamping down the insurgency. I also enjoy that this volume introduces a concept that becomes quite important later on — that the more popular a Fable’s story is, the more resilient the character is to destruction. Some, as you can imagine, are nigh-indestructible — while others, whose stories have faded from mundie culture, have more to worry about.
Not much happens back in the city while all of this is going on, but Willingham drops a lot of tantalising hints, both about other characters and about the way the Fables community functions — again, all things that will be important later. I appreciate this for the sense of wholeness that it gives. I love world-building, and I love when all the details and side stories are well-thought-out, even if we don’t get to see them in their entirety yet.
The art is nice in this volume — full of details, especially in the crowd scenes. The violence and gore are appropriately disturbing. These are not Bowdlerized fairy tales — but a lot closer to the spirit of the original tales, to be sure. Everything has a price, and sometimes that price is blood. Fables doesn’t pull its punches in that regard.